In Red Takes the Lead, late-day sunlight enters the prism at a lower angle, allowing longer wavelengths to separate first. The result is a composition where red asserts itself ahead of the spectrum, carving strong diagonal lines through space with precision and intent.
This photograph is a direct record of light governed by physics, geometry, and time — not digital construction or simulation. The richer reds reveal atmospheric influence and solar position, embedding the moment of capture into the image itself. The sharp convergence of angles and saturated color give the work a bold, architectural presence that rewards both scientific curiosity and visual impact.
Size: 30" × 20"
Material: Metal (aluminum)
Finish: Matte
Frame: Floating black frame
Includes: Tax and freight (U.S.)
Ready to hang
In Red Takes the Lead, late-day sunlight enters the prism at a lower angle, allowing longer wavelengths to separate first. The result is a composition where red asserts itself ahead of the spectrum, carving strong diagonal lines through space with precision and intent.
This photograph is a direct record of light governed by physics, geometry, and time — not digital construction or simulation. The richer reds reveal atmospheric influence and solar position, embedding the moment of capture into the image itself. The sharp convergence of angles and saturated color give the work a bold, architectural presence that rewards both scientific curiosity and visual impact.
Size: 30" × 20"
Material: Metal (aluminum)
Finish: Matte
Frame: Floating black frame
Includes: Tax and freight (U.S.)
Ready to hang
